September 2008 Archives

openSUSE Linux first impressions

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I may be called upon to use SUSE Linux (or whatever corporate horror title it goes by nowadays) at work. Since it's at least five years since I've taken a look at SUSE I figure it's worth having a look at openSUSE, the Fedora-ish free variant.

First item: Stupid, stupid capitalisation of the name. Annoying to type, hard to read.

However... It actually works pretty nicely. The installer is attractive, straightforward and powerful.

opensuse-installer-1.jpg

First test is simple: Install, log in (using NIS and Kerberos, which it says it supports), and install VMware tools. This defeated OpenSolaris, as I found; let's see if openSUSE can do any better.

First genuine surprise: The VMware tools are already installed on first boot! Very, very, impressed...

 I'm not the only one who thinks Metallica's Death Magnetic hasn't been engineered or mastered properly. There is now a petition for people who think that way.

Too crunchy for its own good

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More on the Death Magnetic overcompression fiasco. Here are Audacity renderings of three Metallica songs: Welcome Home (Sanitarium) (1984), Harvester of Sorrow (1988), The Unforgiven (1991), and The Day That Never Comes (2008).

sanitarium-audacity-crop.jpgharvester-audacity-crop.jpgunforgiven-audacity-crop.jpgdtnc-audacity-crop.jpg

I don't have to be a sound engineer to know that the last one is a hapless victim of the Loudness War. Worse, not only is it overcompressed, but in places it's clipped and distorted as well. What a waste.

Welcome back boys

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Metallica's new album Death Magnetic has been released a bit early, which is fine by me. I've now listened to most of it, and it sounds great.

Weeeellll...

What I mean is, the songs sound great. Solos make a welcome return, and I like the longer songs. I'm glad the bin-lid snare drum sound is history. I've not listened enough to 'bond' with the album, but the first listen has been enjoyable.

The sound quality of the CD isn't great, though. Actually, in places it's very poor. There appears to be some kind of clipping going on in loud, bassy sections. (No, I haven't blown my speakers, and no, it's not an mp3/aac artefact - I get it on CD audio too, as well as AAC 256Kbps and Apple Lossless.) The effect is especially noticeable at the end of The Day That Never Comes - just where one least wants it, in fact.

I'm sure it's collateral damage from the Loudness War, and it's just not good enough. Absolutely the last thing I expect is to be checking if I haven't somehow blown the shit out of my speakers even when I'm typically listening at no more than 20% volume.

Out of desperation I checked it on my PS3 as well, to see if it only occurred on a PC. It's just as bad on Sony's finest.

I can't quite believe it. The boys release their best work since the Black Album, and the CD master is fucked!

Please, please let it not suck

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I'm waiting for Metallica's new album Death Magnetic with a mixture of anticipation and dread. Metallica's name is writ large in the soundtrack of my youth, and I would love them to have just one more great album. Even more, I don't want them to release another abomination like St.Anger.

This is the first time in ages that I've been excited about an album release. That's stupid, only yesterday I bought the new Slipknot album it's kickin' my arse up and down the street. But Metallica is... special. It's, like, Metallica man!

I'm so worked up about it, beyond the level I believed myself still capable of. I've been playing full albums on my drums, which I haven't done for years. In truth I feel like a kid again, and it feels good.

The taster tracks on their website sound pretty damned good, although (somewhat understandably) the quality is very low - I can't tell if the phasing is just the low bitrate or a deliberate attempt to stop people distributing them. Either way, I have to say it sounds a lot more like Load than Puppets. I guess we're not going to get a Puppets-like album anytime soon. Still, it's a world away from The Album I Shouldn't Even Name For Fear Of Its Shittiness Affecting Me. That ship has sailed, and I hope it sank quickly. It's a shame it cost them Jason Newsted (though Rob T is very cool), but I can't say I'm mourning Bob Rock's absence at all. He came across as something of a tit in Some Kind of Monster, though to be fair only Newsted and Mustaine really emerge from that film with their credibility intact.

I didn't get to the Reading Festival this year, so I had to watch 'tallica on TV. There was a great moment in Master of Puppets where James stood back from the mic and just took a while to look out and enjoy the crowd, who were at that moment making me very proud to be a British music fan. Gone was the ranting control freak from the start of the Monster film; hopefully there's less brainless 'fuck you muthafuckas' on stage too, though I doubt the BBC would have shown it anyway...

The reviews of Death Magnetic I've seen are generally positive, the clips are good, it all looks... I can't even say it. Please guys, you were my heroes for so long. Please, please, please make it great. Make it a pre-Bob Rock Metallica album we can point to and love and scream back to you onstage like we used to. Do it for us. Do it for yourselves. Do it for whatever the fuck you like, I don't care. Make it great. Make it Metallica again.

Shiny new Chrome

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Time to try Google's Chrome browser. Amazingly, it's installed, successfully imported my Firefox bookmarks (and apparently my Firefox passwords!) and it just works.

Check out the incredible cartoon introduction to the browser's features. It's an insanely clever way to get people looking at what are rather dry technical facts.

I have an inherent distrust of such a large company coming out with a product like this. However, my experience with Google Apps has been so positive, and it is time for a new browser. Firefox 3 is better than Firefox 2, but it's still a pig.

First Chrome 'problem' found: Some of the keyboard shortcuts in FCKEditor don't work :-( It's a rather minor problem, and Chrome is still a beta.

 

It's time to give Sun one more chance to get x86 Solaris right. For the uninitiated, Solaris is fast going the way of Betamax - despite its superiority, people prefer the other format, in this case Linux.

This time, I'm trying OpenSolaris, mainly because it takes ten minutes to slog through all the pointless questions Sun's website asks one before allowing you to actually download something.

I'm not going to clutter my blog with all the detail, that's over on my OpenSolaris experimentation page.

Crunch time

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'The Credit Crunch' is one of those terms the media love to overuse. It contains no long words that would presumably confuse stupid people, and it condenses a wealth of detail and sophistication into one punchy alliteration. Like 'oil crisis' or 'war on terror', the term is almost meaningless to individuals; you feel the consequences in your pay packet, but there's a subliminal awareness that if it wasn't one thing, it would be another. 'It's just life.'

I have an alternative definition, though:

credit crunch noun: The means by which banks make everyone else pay for their mistakes.

Allow me to explain my bitterness. I have been running from credit for a long time. In 2002, a bank who I won't name as Barclays foreclosed on me. They'd been happy to string me a line of credit and offer me huge mortgages even though I was self-employed. Then, my contract ended and (in the IT crash that followed 9/11 and the dotcom burst) it took a while to find new work. They shut all my accounts, and sent demands for immediate payment. From Friends to The Sopranos overnight. After much effort I sorted out new work, and after a few years ended up with credit cards to pay off the more structured past debt for which Barclays were threatening. Debt leads to debt, and the mess still exists. The wound is still open and raw, years down the line.

I earn a good salary now, and my partner and I are trying to rationalise our debt exposure by getting a loan to pay off the credit cards. Her bank, with whom she has 25 years of almost flawless history, are absolutely, positively worse than fucking useless in this regard. Here's the cycle:

  1. We become a little over-exposed, due to the apparently bottomless pit of expenses that is IVF.
  2. We miss a few payments, incurring RBS' disgusting £38 fee every time.
  3. As a result of getting a few of these fees, the account ends up permanently on the edge of being overdrawn. More fees result.
  4. We attempt to break the cycle by restructuring our debts, in a responsible manner.
  5. RBS decline on the grounds that we were occasionally overdrawn, but not before wasting weeks of our time and allowing us to become overdrawn again.

I work for a bank, I understand well the pressure all banks are under at the moment. I also understand that at big banks, the pedants are in charge. Those at the branch, who know their customers, have no discretion. They'll take a person's business for quarter of a century, profit from them every day, and yet when it matters the human element means nothing at all. The underwriters, probably under the gun themselves, reduce peoples' lives to a number, and that number reduces all but those who don't actually need any credit to the inevitable refusal.

There has to be a better way. We, as customers, have to try harder to remember how our banks treat us when times are bad, and not grab so greedily at their 'generosity' when times are good. Behind the modern façade the banks are exactly what they've always been. They don't know you, they don't want to know you.

It's not about being a responsible lender, if it were we wouldn't be in the mess we're in. It's about fear: Fear from individuals of losing their jobs, and from companies afraid of losing it all. Even as a bank employee it's very hard to feel sorry for the banks. They richly deserve every ounce of the pain they're trying to pass on to us.

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This page is an archive of entries from September 2008 listed from newest to oldest.

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